Glass Arts: Coldworking Intensive

  • Saturday, February 23, 2019
  • Sunday, February 24, 2019
  • 2 sessions
  • Saturday, February 23, 2019, 1:00 PM 4:00 PM
  • Sunday, February 24, 2019, 1:00 PM 4:00 PM
  • Glass Studio, Class Code GL022319WM
  • 1

Registration


To register and pay off-line, please call the registrar at (206) 842-4475 x216 or come into BARN.

Be sure to "Join Waitlist" if this class fills (there is no cost to do so) and we will notify you if a seat opens up or this class gets offered again.
Register

Coldworking is a subtractive way of altering and sculpting glass once it is cold. This process can be anything from seaming edges on glass plates to completely transforming the identity of a hot-formed object. In this 2 session class we will learn, in depth different approaches to the belt sander, wet saw, and hand lapping, discussing the potential of each technique. We will learn how to bring rough ground surfaces to a full polish, and talk about the aesthetic possibilities of leaving a surface matte.

We will also cover glass glues and their possibilities in an artist’s work. The first day will include a safety talk and demos on each machine. We will walk through the rules of what tool to use for what purpose and have time on the machines to get our projects 
moving. The second day will be a day focused on students working, become familiar with each machine, and ask for specific demos and tips. Students will gain the most from this class if they come with some of their own glass and a plan or some sketches on the potential alterations they are interested in making.

Instructor Bio: 
William Miller grew up in Virginia and graduated from Virginia Commonwealth University with his B.F.A. in Craft and Material Studies and a minor in Art History.  He was first introduced to glassblowing  in VCU's Hot Shop. Seduced by the magic of the material, he has set out on a relentless pursuit to make glassblowing the central focus of his life. He has studied at the Pilchuck Glass School, Penland School of Craft, and the Studio at the Corning Museum of Glass.

Miller utilizes distinct color selections that are layered and blown in the hot shop. Once cool, he cuts and engraves the surface of the glass to create line and texture. The process of carving the glass is slow and meditative, which balances the relative immediacy of its initial creation. This process allows him to build an intimate relationship with each piece, which informs the direction of the cuts and texture that are applied to create unique and visually striking glass objects.

The artist currently resides in Seattle where he works in the vibrant glassblowing community and continues to explore his artistic voice.

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Remember to wear close-toed shoes and long pants in the Glass Studio at all times! This is a strictly enforced safety policy. Thank you.


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