Above and Beyond: The Possibilities of Glass Powders

  • Saturday, March 10, 2018
  • Sunday, March 18, 2018
  • 4 sessions
  • Saturday, March 10, 2018, 10:00 AM 4:00 PM
  • Sunday, March 11, 2018, 10:00 AM 1:00 PM
  • Saturday, March 17, 2018, 10:00 AM 4:00 PM
  • Sunday, March 18, 2018, 10:00 AM 1:00 PM
  • BARN Glass Studio GL0318MP
  • 2


(depends on selected options)

Base fee:

BARN Cancellation and Refund Policy: To change or cancel your registration, please call (206) 842-4475 or email info@BainbridgeBARN.org at least four (4) days prior to the class/event start date in order to receive a refund. Your spot in the class is not guaranteed until payment is completed. If you would prefer to register and pay off-line, please call or come into BARN.

This is an intensive 4 session class to learn about some of the wonderful options for working with glass powders.  In this class students will be guided through some ways of working with powders to create visually complex andlayered 4x4 samples. 

Design concepts will be discussed, as well as how to work with color.  No previous experience with glass is necessary, but knowing about how to cut glass will be helpful. 

Students will receive all supplies necessary to work with the glass.  Please bring an x-acto knife and blades, a small cutting mat, a small sharpie, a few manila folders (these can be used ones) and any stencils they already have. 

Please bring a lunch on the longer class days.

There is an additional materials Fee of $58 that will be added to the total class cost when you register.

Instructor: Martha Pfanschmidt 

Martha Pfanschmidt has been working as a professional artist since joining a printmaking studio in 1982. She has taught at university and privately for 30 years. Her love of art and of creating beautiful objects has inspired her to explore a variety of media, but currently she works in printmaking, encaustic painting and kiln glass. Her work is in many private and public collections, and has been shown all over the world. She is represented by Bullseye Projects in Portland, Oregon, Davidson Gallery in Seattle, Washington and Mobilia Gallery in Cambridge, Massachusetts.

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