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Word Sprint is a weekly time to write in the company of others. We write for twenty-five minutes, take a break, repeat. We'll turn dedicated, focused time into two of the most productive hours of our week!
There will be no sharing or critique, only fast-paced, supportive productivity in the company of other writers. It will be fun, exciting, and might be the thing to help you finish (or start...) your manuscript.
This group is free for members and only $10 for non-members from September through December.
Organizer: Genevieve Douglass Persen is a composer and writer.
Good fiction, good discussion, good people! The BARN Book Group 4 Writers meets monthly, the second Thursday of the month, from 6:30 – 8 PM in the Writers Studio. Join us on October 11 to discuss All the Light We Cannot Seeby Anthony Doerr. Here are titles we’re looking forward to reading:
A Gentleman in Moscow by Amor Towles
Runaway by Alice Munro (collection of short stories)
Amsterdam by Ian McEwan
Lincoln in the Bardo by George Saunders
For more info, email Jenn Hager at firstname.lastname@example.org Members and non-members welcome! Be sure to register.
This group is free to members and for non-members only $10 for all sessions from October 2018 through January 2019.
This group is free for members and only $25 for non-members from January through March.
Maria Newman and Friends
Renowned composer and musician Maria Newman will make a rare Seattle-area appearance in a benefit concert for BARN. She’ll lead a program of live music and conversation, performing her own compositions with three other accomplished musicians. The evening will include the showing of a silent film, with live accompaniment composed and performed by Newman.
The program, to be performed in the Great Room at BARN, will include four original works:
In addition to Newman, performers will include Scott Hosfield, acclaimed violist and conductor and Music Director of the Malibu Coast Chamber Orchestra and the Malibu Coast Silent Film Orchestra. Also performing will be Dr. Hal Ott, professor of flute at Central Washington University, and BARN member Dr. Chris Eisenberg, pianist.
Newman, who is the youngest child of 9-time Academy Award winning movie composer Alfred Newman and actress and Goldwyn girl Martha Louise Montgomery, is a composer of classical music, a violinist, violist and pianist. She has received recognition and commendation from the Annenberg Foundation, the United State Congress and the Mary Pickford Foundation. Newman’s library of original works represents a range of genres, from large scale orchestral works, works for the ballet, chamber works, choral and vocal works, to new collaborative scores for vintage silent film.
Learn more about Maria Newman here: https://en.wikipedia.org/wiki/Maria_Newman
After the performance, there will be a reception with beverages and hors d’oeuvres. All profits from the event will benefit BARN.
Word War is a weekly sprint writing meet-up, where participants will be timed for four twenty-five minute intervals, writing as many words as they can for as long as the timer is running, with short breaks in between. Word counts will be recorded, and we'll turn dedicated, focused time and light-hearted competition into two of the most productive hours of our week!
There will be no sharing or critique, only fast-paced, supportive-but-competitive productivity in the company of other writers. It will be fun, exciting, and might be the thing to help you finish (or start...) your manuscript.
Organizer: Amelia Ramsey is a graduate of The Evergreen State College where she studied modern Southern literature and an indie-published author of dozens of steamy romantic shorts, novellas, and novels. She writes and publishes on Amazon under two pseudonyms she's too embarrassed to share with anyone. She's currently working on her first non-romantic
If you are a BARN member who is interested in joining, contact Amelia at email@example.com
In this Part II of Your Life Is a Story: The Art of Memoir, we'll take a deeper dive into the memoir, looking more closely at how we approach personal storytelling as a work of art, how we can look upon the events of our lives as raw material to create something original and transformative.
We’ll also workshop more samples from writers who took Memoir Part I, and see how they were able to apply the lessons learned there. Additionally, we'll discuss the challenges students faced working with the rules learned in Part I. Finally, we’ll discuss what it means not just to be writer, but also an author, about the unique challenges of sharing stories from our lives with complete strangers.
Instructor: William Kenower is the author of Fearless Writing: How to Create Boldly and Write With Confidence, and Write Within Yourself: An Author’s Companion, the Editor-in-Chief of Author magazine, and a sought-after speaker and teacher. In addition to his books he’s been published in The New York Times and Edible Seattle, and has been a featured blogger for the Huffington Post. His video interviews with hundreds of writers from Nora Ephron, to Amy Tan, to William Gibson are widely considered the best of their kind on the Internet. He also hosts the online radio program Author2Author where every week he and a different guest discuss the books we write and the lives we lead.
"BARN Gathering” --Authors’ Reading--In Lieu of Roundtable
In the spirit of Gertrude Stein, BARN Writers and Martha Salinas will be hosting a salon for members and non-members to read their work to an appreciative audience. This is a great opportunity to prepare for your debut as an author. Even if you’ve read at your own book signings before, this is a wonderful chance to reach new readers. Beginners and experienced writers alike are welcome.
There will be room for ten readers and two guests who don’t read. Each reading will be five minutes with two short breaks. Please sign up early.
This generative course gives students the opportunity to write in three different literary genres: fiction, poetry, and nonfiction. Students will learn basic skills used to create literature, as well as the craft fundamentals used in the three genres: Story, scene, and character in fiction; imagery, figurative language, and sound in poetry; memory/meaning, action/reflection, and writing-through-discovery in nonfiction.
Throughout the session, students can expect a combination of lectures, in-class writing exercises, short reading activities, and informal discussion.
Previous experience with creative writing is not necessary.
Janee J. Baugher is the author of Coördinates of Yes (Ahadada Books) and The Body’s Physics (Tebot Bach), and she holds an MFA from Eastern Washington University. Her creative writing has been published in over 100 literary journals, including Tin House, The Southern Review, The American Journal of Poetry, Nimrod International Journal of Prose and Poetry, Boulevard, Nano Fiction, and The Writer’s Chronicle. Since 1999 Baugher has taught creative writing in primary and secondary schools, at arts camps and libraries, and at colleges and universities. Additionally, she’s held editorial positions at several journals, including Willow Springs, Switched-on Gutenberg, and StringTown, and she’s currently a poetry reader for Boulevard. http://JaneeJBaugher.wordpress.com
Calling all aspiring writers for children. Are you interested in learning more about writing and getting books published for children and young adults? Join us for this introduction to resources for those getting started as well as for those who are already published. This session will be followed by a Q and A period.
Jolie Stekly has worked with numerous editors, agents, authors and illustrators to develop programming for conferences, retreats and classes. She was recognized as SCBWI's 2009 Member of the Year. Jolie teaches the writing for children section(s) of the UW Certificate in Writing. She is a writer, writing instructor/coach, and freelance editor for children’s books (picture books to young adult). Jolie holds a masters degree in education, is on the blog team for SCBWI and is represented by literary agent, Rosemary Stimola.
For this exciting and unusual class, join two instructors--one a writer and one an actress, one accustomed to breathing life into a character through words and one accustomed to taking the writer's words and giving them life.
Mining well-rounded and believable character is probably the most important element in fiction—every action and result will depend upon it. Developing unique and complex characters is a process of not only creation, but also of discovery. In this workshop the instructors will introduce a variety of activities that will help you do just this, thereby providing a toolbox that will take your fiction to new levels. By combining writing and acting exercises, you will give dimension to existing characters, develop new characters, and better view the world through the character’s point of view. Please wear comfortable clothes and bring a light lunch. Snacks and water will be provided.
Instructors: Warren Read is the author of a 2008 memoir, The Lyncher in Me (Borealis Books), and the 2017 novel, Ash Falls (Ig Publishing). His short fiction has been published in Hot Metal Bridge, Mud Season Review, Sliver of Stone, Inklette, Switchback and The East Bay Review. He has been in education for 26 years and is currently an assistant principal with the Bainbridge Island School District.
Dinah Manoff is a Tony Award winning actress. She has starred in a number of television series, including the classic Soap. Manoff is best known for her portrayal as Carol Weston, the character she played for seven years on the series, Empty Nest, and for the memorable Pink Lady, Marty Maraschino in the film Grease. Other films include Ordinary People in which she co-starred opposite Timothy Hutton as Karen his suicidal best friend and I Oughta be in Pictures opposite Walter Matthau. Manoff has also worked as a television writer and director. She is the daughter of writer Arnold Manoff and Oscar winning actress Lee Grant. Currently, Manoff resides with her family on Bainbridge Island where she writes, coaches, and teaches acting with the Northwest Actors Lab.
Speculative fiction includes any work that uses fantasy, science fiction, horror, science fantasy, superhero, and supernatural. From Harry Potter to The Man in the High Castle, speculative fiction gathers stories from many corners of the writing universe, and so is of interest to a wide range of readers.
Some of the basics of craft will be covered, including setting (world building), dialogue, conflict, the use of time (flashbacks, parallel timelines, etc), and in particular, the development of characters.
This six-session class will be a workshop for writers with at least one chapter or story in progress. The group will offer supportive feedback under the guidance of a well-published author, as well as brief craft lessons that will enable you to develop confidence in your own ability to edit. We will read a few short examples along the way to give us common ground for discussion.
Note to those who took the 2018 class:Enroll in the 2019 version of Speculative Fiction and benefit from having your project workshopped in a supportive environment. New short stories will be assigned and craft topics with add depth to discussions.
Instructor: Kathleen Alcalá is the author of six books of fiction, essays and creative nonfiction, including recent works in science fiction and fantasy anthologies. An Island Treasure in the Arts, she has extensive experience teaching at the post-graduate level, as well as in all-age classrooms. More at http://www.kathleenalcala.com.
Indie-publishing is an increasingly viable option for writers to get their books into the world, but many new authors experience frustration when their books don't sell as well as they'd hoped. In this workshop, A.C. Fuller will talk through marketing techniques for indie writers, including:
*Book covers and genres
*Book promotion websites
*Advertising platforms such as Facebook and Amazon
Instructor Bio: Once a journalist in New York, A.C. Fuller now writes stories at the intersection of media, politics, and technology. He’s the author of eight novels in two series: The Alex Vane Media Thrillers and Ameritocracy. Before he began writing full time, he was an adjunct professor of journalism at NYU and an English teacher at Northwest Indian College. He lives with his wife, two children, and two dogs near Seattle.
A memoir can be a story, a history, a comment on society or a combination. It can be instructive, amusing, heart-breaking or all three. In every case, however, it is personal - which explains its popularity, both for the writer and the reader.
Our Roundtable on Memoir brings together three amazing writers who have different backgrounds, styles, and reasons for writing in this genre. It will be an interesting evening!
The idea of writing a memoir is terrifying to me. Why would I expose my naked soul to the public in a book?
At the same time, most, if not all writing is a form of memoir, because we bring our experiences, our education, our cultural, and personal orientation to everything that we write. We are observers not only of the world around us, but of ourselves.
This is probably a good description of my collection of essays, “The Desert Remembers My Name.” My more recent book, The Deepest Roots: Finding Food and Community on a Pacific Northwest Island, is more sociological in nature. But I am part of the pack! Examining my own relationship with food and community as much as that of everyone else.
E.C. Murray is the author of the memoir, A Long Way from Paris, named a KIRKUS Best Book of the Year. She traveled to Paris to be a writer, but instead was transformed herding goats in the mountains of Southern France. Her short story memoir, “The Urban Goatherd," garnered her a Pushcart nomination. A writing instructor at Seattle Central College and Tacoma Community College, her freelance articles range from Lady Gaga to Paralympics, from parenting to traveling.
With a Master’s degree and two writing certificates from the University of Washington, she founded and publishes The Writers Connection,www.writersconnection.org with writer resources and interviews with Elizabeth George, Debbie Macomber, Erik Larson, Garth Stein, and David Guterson and more. She also published Life Kind of Sucks, with tips for people feeling blue.
While I'm primarily a fiction writer, my memoir, The Lyncher in Me, was published through Borealis Books in 2008. The memoir grew from the shocking discovery that my beloved great-grandfather served prison time for instigating a riot in 1920 Duluth, MN, a riot that led to the lynchings of three black men falsely accused of raping a white woman. The memoir served as a way to not only uncover and examine the story around this terrible event, but the story of my own family, and the aftershocks that this terrible secret had on the generations to follow.
I'm also the author of the 2017 novel, Ash Falls (Ig Publishing) and have had short fiction published in Hot Metal Bridge, Mud Season Review, East Bay Review and Switchbackmagazines, among others. In 2015, I earned my MFA from the Rainier Writing Workshop. Currently I'm an assistant principal on Bainbridge Island.
The personal essay is a unique blend of storytelling, lessons, and poetry. Not quite memoir, not quite self-help, it is a form that lends itself to blogs, essays for magazines, or opinions for newspapers.
In this workshop we’ll look at the structural foundation of the personal essay, as well as learn some simple tools to help authors use their life experiences as limitless source material. Most importantly, we’ll dig into how best to offer readers lessons without being dogmatic or obvious so that our essays can be both entertaining and inspiring.
Bring a brown bag lunch.
Instructor: William Kenower is the author of Fearless Writing: How to Create Boldly and Write With Confidence, andWrite Within Yourself: An Author’s Companion, the Editor-in-Chief of Authormagazine, and a sought-after speaker and teacher. In addition to his books he’s been published in The New York Timesand Edible Seattle, and has been a featured blogger for the Huffington Post. His video interviews with hundreds of writers from Nora Ephron, to Amy Tan, to William Gibson are widely considered the best of their kind on the Internet. He also hosts the online radio program Author2Author where every week he and a different guest discuss the books we write and the lives we lead.
Format decisions: should you have an e-book? A print book? Both? We’ll talk about:
We’ll also talk about when and how to hire freelancers, what research says about the best pricing strategies, and how to avoid the scams and pitfalls that trap self-publishing authors along the way.
Bring material to take notes (laptop, tablet, or notebook/pen).
Beth Jusino is a publishing consultant for both traditional and self-publishing authors, with almost twenty years of experience helping writers navigate the complicated space between manuscript and final book. A former literary agent and marketing director, she’s the author of the award-winning The Author's Guide to Marketing and has ghostwritten or collaborated on half a dozen additional titles. Beth is a member of the Northwest Independent Editors Guild, a regular speaker for Seattle Public Library’s #SeattleWrites workshops, and has taught at writers’ conferences across the country. Visit her online at www.bethjusino.com or on Twitter @bethjusino.
Setting should be much more than the location where your novel takes place. At its best, setting establishes not only atmosphere and mood, but becomes a character on its own, and one woven so inextricably into the story that the reader cannot imagine it could be placed anywhere else.
In this workshop, Megan Chance explains how to approach setting as an indispensable part of storytelling, how to utilize research, description, point of view, symbolism and word choice to create a setting as multilayered and integral to your novel as character or plot.
Megan Chance is the bestselling, critically acclaimed, award-winning author of several novels. Her novels have been picks for Amazon Book of the Month, Borders Original Voices, and Booksense. Girlposse.com calls her a “writer of extraordinary talent. Megan Chance lives in the Pacific Northwest.
New to playwriting or want to inject some energy into your ongoing writing practice? The Playwriting Lab is an opportunity to add more tools to your writing toolbox. We'll explore and experiment with the core fundamentals of playwriting and start developing scenes right away. Through a series of timed exercises and group games, we will create characters, write dialogue, and share our work out loud in a fast-paced, inclusive, safe, and fun environment.
Kristina Sutherland is a playwright, teaching artist, director, and actor based in Seattle. Kristina has over 15 years of professional teaching experience in the Puget Sound region and enjoys leading playwriting and collaborative play creation classes for students of all ages. Kristina created and led playwriting courses for adult learners at ACT Theatre, Seattle Repertory Theater, and Macha Monkey Productions, She has taught hundreds of beginning to advanced playwriting students since 2004.
Kristina is also the author of several critically acclaimed plays including With Dignity, Thebes and Franklin and Figaro. Her play Nancy, Frank, and Joe, co-written with Desiree Prewitt, was nominated for the Steinberg/ATCA New Play Award in 2010. Kristina’s plays have been produced in Seattle, Denver, Albuquerque, and across Canada in numerous fringe theatre festivals. Kristina received her Bachelor of Arts in Theatre from Western Washington University and her Master in Nonprofit Leadership from Seattle University.
Point-of-view can be defined as the narrative perspective from which a work is written. The types include first person, second person and third person.
As a writer, you'll use different perspectives depending on what type of work you are writing, as well as on what you're trying to do with it. In this class, we'll define each type of point-of-view, look at examples, and explore how each is useful and how each has drawbacks.
We’ll also be practicing using various points-of-view. So, bring a current work-in-progress with you to class, if you have one. If not, then that’s fine!
Instructor: Anne Clermont is the author of Learning to Fall, a novel which was a 2016 Foreword Indies Finalist in general fiction and received praise from Robert Goolrick, Ellen Sussman, Sonja Yoerg, Tracy Guzemen, and others. It was featured in Coastal Living, Redbook, Popsugar, Buzz Feed, SheKnows, Inside Chic, Brit+Co and more. Her work experience ranges from animal behavior to animal nutrition to cancer research, which has been published in a number of peer-reviewed scientific journals – including Nature Biotechnology. She currently divides her time between writing and working as an editor and website designer for her company, Bookish Media. You can learn more about her at www.anneclermont.com or www.bookish.media.
Pulitzer Prize-winning Neruda wrote odes to socks and artichokes. William Carlos Williams penned the infamous “The Red Wheelbarrow,” regarding not much more than a wheelbarrow and some chickens. Can we make our everyday lives into poems that surprise and delight? Can we celebrate the ordinary, allowing the small particulars we encounter infiltrate our poems? In this workshop, we will explore poets who have done just this. We will use their works as prompts to create our own songs of praise for the mundane details of our lives.
This is a beginner level class.
Lauren Davis is the author of the chapbook Each Wild Thing’s Consent (Poetry Wolf Press). She holds an MFA from the Bennington Writing Seminars, and her poetry and essays can be found in publications such as Prairie Schooner, Spillway, Empty Mirror, and Lunch Ticket. Davis teaches at The Writers’ Workshoppe in Port Townsend, WA, and she works as an editor at The Tishman Review.
The publishing world has changed dramatically with the eruption of the digital economy and social media networks. In today’s world, publishers and agents demand not only high-quality content but a digital presence for authors in order to publish their creation.
In this two-session Saturday class, Antonio Garcia will introduce the basic concepts of digital marketing and social media marketing to build an online presence for writers. The classes will cover the differences between a website and a blog, basic concepts of SEO (search engine optimization), social media strategy and content marketing.
Bring your laptop, smartphone and notepad and start or continue growing your digital presence to get website traffic, followers and likes and to increase your chances of grabbing the attention of publishers and agents.
Instructor: Antonio Garcia is a brand strategist and art director who started his career in advertising and marketing 15 years ago in Madrid (Spain). Since then he has worked in London (United Kingdom), Portland and now the Greater Seattle Area. He has worked for advertising agencies, start-ups, non-profit organizations, educational institutions and as a freelance consultant.
The emotional effect of fiction on readers is a craft. Based on psychological research and study of what makes novels emotionally gripping, this intensive workshop takes participants beyond showing or telling to create an emotional journey for readers—one unseen but nevertheless deeply felt and ultimately unforgettable.
While writers might disagree over showing versus telling or plotting versus pantsing, none would argue this: if you want to write strong fiction, you must make your readers feel. The reader's experience must be an emotional journey of its own, one as involving as your characters' struggles, discoveries, and triumphs are for you.
That's where The Emotional Craft of Fiction comes in. In his book, veteran literary agent and expert fiction instructor Donald Maass shows you how to use story to provoke a visceral and emotional experience in readers. Topics covered include:
· emotional modes of writing
· beyond showing versus telling
· your story's emotional world
· moral stakes
· connecting the inner and outer journeys
· plot as emotional opportunities
· invoking higher emotions, symbols, and emotional language
· cascading change
· story as emotional mirror
· positive spirit and magnanimous writing
· the hidden current that makes stories move
This is an intensive, hands-on workshop for fiction writers. Participants should bring a WIP and writing materials.
Presenter bio: A literary agent in New York, Donald Maass’s agency sells more than 150 novels every year to major publishers in the U.S. and overseas. He is the author of The Career Novelist (1996), Writing the Breakout Novel (2001), Writing the Breakout Novel Workbook(2004) and The Fire in Fiction (2009), Writing 21stCentury Fiction (2012) and The Emotional Craft of Fiction (2016). He is a past president of the Association of Authors’ Representatives, Inc.
This workshop takes an unbiased and unvarnished look at a modern writer’s publishing options, from “Big 5” traditional publishers to small presses to self publishing (with or without the support of service companies) to “hybrid” and other emerging models. Taught by a publishing professional who works on and appreciates both sides of the fence, this class gets past the hype and examines pros and cons of each choice, realistic costs and income potential, as well as scams and pitfalls to avoid. Most importantly, it helps writers seeking publication understand their own goals, strengths, and how to make a decision that's best for them.
Instructor: Beth Jusino is a publishing consultant for both traditional and self-publishing authors, with almost twenty years of experience helping writers navigate the complicated space between manuscript and final book. A former literary agent and marketing director, she’s the author of the award-winning The Author's Guide to Marketing and has ghostwritten or collaborated on half a dozen additional titles. Beth is a member of the Northwest Independent Editors Guild, a regular speaker for Seattle Public Library’s #SeattleWrites workshops, and has taught at writers’ conferences across the country. Visit her online at www.bethjusino.com or on Twitter @bethjusino.
This six-week course will focus on shaping research, family stories, and other source materials into a form that will appeal to a contemporary reader. We will focus on the emotional development of your characters, as well as setting, scene, and dialogue, to bring fresh language to situations and characters. Sensory detail draws the reader into the story, but we must also empathize with the characters and fully inhabit their worlds. One of the most successful genres in both commercial and literary publishing today, readers of all ages find a well-imagined historical novel irresistible.
We will end by discussing how to approach an agent or editor, cover letters, the synopsis, and possible markets.
Instructor: Kathleen Alcalá’s trilogy on nineteenth century Mexico was published by Chronicle Books: Spirits of the Ordinary, The Flower in the Skull, and Treasures in Heaven. Her work has received the Western States Book Award, the Governor's Writers Award, a Pacific Northwest Bookseller's Award, and a Washington State Book Award. A co-founder and contributing editor to The Raven Chronicles, Kathleen has been a writer in residence at Richard Hugo House and was permanent faculty in the Northwest Institute of Literary Arts MFA Program on Whidbey Island. Kathleen is also the author of a short story collection, Mrs. Vargas and the Dead Naturalist, The Desert Remembers My Name, essays on family and writing, and most recently, The Deepest Roots: Finding Food and Community on a Pacific Northwest Island from the University of Washington Press.
This generative class is perfect for anyone who wishes to study the craft of writing-from-life. Students will learn basic skills used to create literary nonfiction, as well as the craft fundamentals used: tension, chronology, vivid description, pacing, and point-of-view.
Whether you’re writing a full memoir, a personal essay, or have never written before, this class is for you. Throughout the session, students can expect a combination of lectures, in-class writing exercises, short reading activities, and informal discussion.
All levels welcome.
Bring to class: An excerpt of an autobiographical work-in-progress and/or an object that has sentimental value.
Janee Baugher is the author of Coördinates of Yes (Ahadada Books) and The Body’s Physics (Tebot Bach), and she holds an MFA from Eastern Washington University. Her creative writing has been published in over 100 literary journals, including Tin House, The Southern Review, The American Journal of Poetry, Nimrod International Journal of Prose and Poetry, Boulevard, Nano Fiction, and The Writer’s Chronicle. Since 1999 Baugher has taught creative writing in primary and secondary schools, at arts camps and libraries, and at colleges and universities. Additionally, she’s held editorial positions at several journals, including Willow Springs, Switched-on Gutenberg, and StringTown, and she’s currently a poetry reader for Boulevard. To learn more about Janee Baugher see: http://JaneeJBaugher.wordpress.com
It’s time to take your writing seriously. Warren Read—writer, educator, and published author—will guide you through every step of writing a short story in this four-session workshop.
The class will cover what makes a short story, character development, setting, dialogue, and point of view. Each session will include writing advice, fluency prompts, sharing your work with class members, and writing groups/workshopping. Between meetings, you will focus on developing your short story.
All levels of writers are welcome. You might dust off an old story you began years ago, come to class with an idea for a story, or attend the first session with no clue what you want to write. It’s all okay because the first class will begin with brainstorming activities. You’ll leave with a clear direction in mind.
Warren Read will use excerpts and ideas from Ron Carlson Writes a Story. You are encouraged to get a copy from the library, Amazon, Kindle, iBooks, and others.
Instructor Bio: Warren Read is the author of a memoir, The Lyncher in Me (2009, Borealis Books) and the novel, Ash Falls (2017, Ig Publishing). His fiction has appeared in Hot Metal Bridge, Mud Season Review, Sliver of Stone, Inklette, Switchback Magazine and the Christmas issue of East Bay Review. He is an assistant principal in Bainbridge Island, WA; in 2015 he received his MFA in from the Rainier Writing Workshop at Pacific Lutheran University. Learn more about Warren at www.warren-read.com.
So you want to write a novel? Or you’ve written 40,000 words of a novel, and suddenly find yourself stuck. Or your stories are interesting but lack a real plot.
Michele Bacon is here to help. Over the course of two Saturdays, she’ll put you to work on developing a compelling protagonist, raising the stakes, and plotting your manuscript. Come with a full story idea or with only a desire to write a novel. You’ll leave with clear direction and a plot waiting to become a manuscript.
The two sessions will include brief lectures, hands-on workshops, one-on-one discussion with Michele, and some partner work with other students.
Please feel free to bring a lunch. BARN has a refrigerator to store your lunch in.
Michele Bacon is the author of contemporary young adult novels Antipodes and Life Before. Her work focuses on families, friends, and the complicated relationships therein. When she’s not writing, Michele loves skiing, playing tabletop games, traveling, and dreaming of travel. She’s visited all 50 states and dozens of countries, always eager to hear people’s stories and immerse herself in other cultures. Wherever she goes, Michele enjoys helping writers find their voices and tell their stories. And she loves coming home to Seattle, where she lives with her partner and three young children.