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This is a BARN holiday. Doors will be locked to members and non-members.
Writing with Scissors! It’s January 2020, let’s break a few things! (Plus, all the cool kids are doing it.)
In this course, students will learn to generate writing and experiment with form using literary techniques inspired by collage, mosaic, and kintsugi. Students will complete several exploratory prose pieces that they will use as material, along with items they discover throughout the class or bring from home. Close attention will also be paid to the narrative strategies of writers who have utilized these techniques, such as literary rockstars like Joan Didion, Annie Dillard, Anne Carson, Scott Russell Sanders, David Shields, Renata Adler, Maggie Nelson, Eula Biss, and Sherman Alexie, among others.
In his book Reality Hunger (2010), David Shields defines collage as “the art of reassembling fragments of preexisting images in such a way as to form a new image.” Collage writing loosens us up. Kintsugi (the Japanese art of reassemblage, highlighting the cracks) and Mosaic techniques develop our skills of intuitive structure.
Whether we consider ourselves to be makers, poets, essayists, memoirists, artists, musicians, or storytellers, we can benefit from abandoning preconceived notions. Let’s embrace the blurring of genre and sharpen our skills to create more intuitive, organic structures in our writing. There’s no better time than right now to shake things up!
Tuition assistance is available. Click here to apply.
Eliza Tudor is a writer, editor, and teacher new to Bainbridge Island. Her stories have appeared in PANK, TLR, Hobart, Annalemma, Paper Darts, and The Conium Review, among others. Her novella, Wish You Were Here, won the 2017 Minerva Rising Press Novella Prize and was published by that press. With an MA in English and an MFA in Writing, Eliza has taught both at the University-level, and in community-based workshops throughout the United States. She’s worked in publishing and continues to work as a freelance editor. She also reads your submissions to Quarterly West magazine. You can find more at www.elizatudor.com.
Mary Oliver brought many people to poetry with her plain language and sense of wonder. What next? Who else? This workshop will explore other poets who open our eyes to the world and to our full humanity. We will read poetry that will astonish and write poems in response.
Michele Bombardier’s collection What We Do is currently a finalist for the Washington Book of the Year Award. Michele's poetry and reviews have been published in dozens of journals and anthologies including Alaska Quarterly Review, Atlanta Review, Bellevue Literary Review, Artemis and many others. She earned her MFA in poetry at Pacific University and is the founder of Fishplate Poetry, a social-purpose organization that provides workshops and retreats for writers while raising money for humanitarian relief, specifically for medical care for refugees in partnership with the Syrian American Medical Society.
In this workshop you will examine how humor writers use incidents from their lives to turn the painful, the absurd, the odd, the embarrassing, the disconcertingly memorable…. into humor. Then, to follow James Thurber’s adage “Humor is chaos remembered in tranquility” we will sift through our lives to find those stories, anecdotes and incidents to guild with humor. We will, examining other humor-writers’ works, look at structure (essay or story) as a means to convey humor.
Bob Balmer's first humorous essay was published in the Oregonian in 1992. His work has appeared in The Smithsonian, The Oregonian, The Seattle Times, The Seattle Weekly, Golf Illustrated, ZYZZYVA,
Oregon Coast Magazine, Golf Weekly, The Eugene Weekly, The Guide and Willamette Week. It has aired on the radio shows The Savvy Traveler and MarketPlace as well as on Oregon Public Radio and Television.
He has an MFA in creative writing from Portland State University, and he attended the Iowa Summer Writing Workshop and the Tin House Summer Writing Workshop at Reed College. He recently returned from taking Improv and sketch writing classes at Second City Comedy in Chicago. He has led humor writing workshops at Write in the Harbor, Portland Storytellers Guild, The Oregon Writers Colony, Sitka Center for the Arts and Ecology, The Write on the Sound Conference, The Hoffman Center for the Arts, Mary's Woods Retirement Center, The Oregon Council Teachers of English student writing Festival
In this eight week series, writers are not required, but will have the option to submit up to three poems or 10-12 prose pages for written comments and time to workshop. It's an opportunity to learn how to provide helpful and not hurtful feedback and to receive it.
Julie Gardner, an Amherst Writers & Artists Affiliate, has led WritersGathering writing groups, workshops and retreats in Seattle for nearly a decade. A safe environment for writers of all levels and all genres is created. Past participants have said they learn more about their strengths, discover new ones, develop their repertoire of craft elements, take risks, generate writing, are surprised and have fun learning and generating writing with others. Two to three prompts are offered followed by optional readings and responses.
Are you interested in writing for children? Join us for an afternoon of diving into the children’s books industry, which includes picture books to young adult novels.
Jolie will talk about this special corner of the publishing world and explore its books and creators. Jolie will share resources, talk about the writing process, as well as the submission and publication process.
Jolie Stekly has worked with numerous editors, agents, authors and illustrators to develop programming for conferences, retreats and classes. She was recognized as SCBWI's 2009 Member of the Year. Jolie teaches the writing for children section(s) of the UW Certificate in Writing. She is a writer, writing instructor/coach, and freelance editor for children’s books (picture books to young adult). Jolie holds a masters degree in education, is on the blog team for SCBWI and is represented by literary agent, Rosemary Stimola.
The best characters are much more than their physical characteristics; they are fully rounded, multi-dimensional, and capable of plunging a reader into an emotionally fulfilling adventure, another world and another life. In this workshop we will use the psychology of characterization, self concept, backstory, and the emotional arc as tools for creating intricate and complex characters with conflicts, motivations, challenges and pasts that bring them alive on the page.
Megan Chance is the critically acclaimed, award-winning author of several novels. Her work has been chosen for Amazon Book of the Month, Borders Original Voices, and Booksense/Indie Next. The Best Reviews says she writes “fascinating historical fiction.” Her novels have been translated into several different languages. Megan is a former television news photographer with a BA in broadcast communications from Western Washington University. She lives in the Pacific Northwest with her husband and two daughters.
J. A. Jance is the author of mystery novels that include these bestselling series: the Seattle Police Department Detective J.P. Beaumont, Arizona County Sheriff Joanna Brady, former Los Angeles news reporter turned crime solver Ali Reynolds, and the Walker Family Mysteries.
In a one-session class, she will be showing how pieces of her life have been woven into the tapestry of her various stories and encouraging workshop participants to consider doing the same.
You may want to bring your lunch as we will break from about noon to 1 pm. You can eat and visit in the Commons during this time. A refrigerator is also on the lower level.
At age 39, J.A. Jance gave herself permission to start pursing her lifelong dream of becoming a writer. A quarter of a century later, with almost sixty books published, all to them still in print, she is living that dream and likes nothing better than to encourage others to do the same. Born in South Dakota and raised in Arizona, she makes her home in the Seattle area.
Teri requested review via email on 6/10 @ 10:30 am. Reviewed by tammie @ 5.30pm
Opening scenes introduce your protagonist, her/his world, their goals, the stakes, and your story's themes. It's no wonder that an opening scene is often the most difficult to write! This workshop will look at a variety of approaches, with examples from classic, literary/commercial fiction, memoir. Writing prompts will be used to help you create depth and tension in your opening scene. Participants are asked to bring and share the first 500 words of a work-in-progress to for feedback. Writing prompts will be used to help you find or create depth and tension in your opening scene.
Writers will leave the workshop with ideas to put into concrete practice as they approach their opening scene during the revision process, which will determine where their novel actually begins.
Julie Christine Johnson is the award-winning author of the novels In Another Life (Sourcebooks, 2016) and The Crows of Beara (Ashland Creek Press, 2017). Her short stories and essays have appeared in several journals, including Emerge Literary Journal; Mud Season Review; Cirque: A Literary Journal of the North Pacific Rim; Cobalt; River Poets Journal, in the print anthologies Stories for Sendai; Up, Do: Flash Fiction by Women Writers; and Three Minus One: Stories of Love and Loss; and featured on the flash fiction podcast No Extra Words. She holds undergraduate degrees in French and psychology and a master’s in international affairs. Julie leads writing workshops and seminars and offers story/developmental editing and writer coaching services. A hiker, yogi, and wine geek, Julie makes her home on the Olympic Peninsula of northwest Washington State.
Have you always wanted to write poetry, but you have felt too intimidated? Did someone lie to you and tell you poetry must rhyme, or have big words in it, or be packed with complicated metaphors? Davis will go over the basics of a poem and then provide writing prompts so you can walk away with your own first drafts. No one will be required to read their work aloud. Come and experiment!
Lauren Davis is the author of the chapbook Each Wild Thing's Consent (Poetry Wolf Press). She holds an MFA from the Bennington Writing Seminars, and her poetry and essays can be found in publications such as Prarie Schooner, Spillway, Empty Mirror, and Lunch Ticket. Davis teaches at the Writers' Workshoppe in Port Townsend, WA, and she works as an editor at The Tishman Review.
If you’re contemplating or writing a mystery, crime thriller, or other story that involves police characters, this is the course for you. This team-taught, interactive course will enhance your understanding and portrayal of police culture and inspire you with characters and anecdotes. Sandra Terhune-Bickler and Steven Bickler bring a combined 51 years of experience to the class, so don’t miss it.
Sandra Terhune-Bickler served with the Santa Monica Police Department for 28 years before retiring in September of 2014. Her last assignment with SMPD was Sergeant-In-Charge of the Resource Development Unit – Personnel and Training. Additionally, during her tenure with the SMPD, Dr. Terhune-Bickler was a member of the Crisis Negotiations Team both as a police officer and a sergeant for over 20 years. She was also a Motorcycle Traffic Enforcement Officer for six years. She also implemented and coordinated the SMPD’s Peer Support Program. She has a Master of Science degree in Counseling Psychology, and a Doctorate degree in Human and Organizational Systems. Dr. Terhune-Bickler frequently teaches law enforcement personnel on topics related to crisis negotiations and tactical communication strategies. Her article, “Too Close for Comfort: Negotiating with Fellow Officers” was published in FBI’s Law Enforcement Journal (2004). She recently presented at the Washington State Crisis Intervention Team (CIT) Conference, and Kitsap County 40-hr law enforcement CIT Course. She resides on Bainbridge Island with her husband, Steve.
If you love to write and have a story you want to tell, the only thing that can truly stand between you and the success you’re seeking isn’t craft, or a good agent, or enough Facebook friends and Twitter followers, but fear. Fear that you aren’t good enough, or fear the market is too crowded, or fear no one wants to hear from you.
Fortunately, you can’t write and be afraid simultaneously. The question is whether you will write fearlessly on purpose. In this workshop we’ll look at several techniques you can you use to keep yourself in the creative flow and out of the trouble and misery fear always causes.
Using William Kenower’s unique, inside-out approach to writing, students will learn:
You were born fearless. This workshop will help you practice remembering who you’ve always been.
William Kenower is the author of Fearless Writing: How to Create Boldly and Write With Confidence, and Write Within Yourself: An Author’s Companion, the Editor-in-Chief of Author magazine, and a sought-after speaker and teacher. In addition to his books he’s been published in The New York Times and Edible Seattle, and has been a featured blogger for the Huffington Post. His video interviews with hundreds of writers from Nora Ephron, to Amy Tan, to William Gibson are widely considered the best of their kind on the Internet. He also hosts the online radio program Author2Author where every week he and a different guest discuss the books we write and the lives we lead.
Writing for middle grade readers is an incredibly rewarding experience – magic is made when such earnest readers engage with an author’s work. With New York Times bestselling author and Newbery Honor recipient, Kirby Larson, workshop participants will spend the day exploring the key elements of successful middle grade fiction, through conversation, examples from published work and in-class writing exercises. Come prepared to channel your inner 11-year-old! Substantial doses of humor and chocolate included.
Please feel free to bring a lunch. BARN has a refrigerator to store your lunch in.
Kirby Larson is the acclaimed author of the 2007 Newbery Honor Book, Hattie Big Sky, and its sequel, Hattie Ever After. In addition to the Dogs of WWII series-- which includes Duke, Dash (Scott O’Dell Historical Fiction Prize), Liberty, and Code Word Courage-- she has written The Friendship Doll, The Fences Between Us and Audacity Jones to the Rescue and Audacity Jones Steals the Show (an Edgar award nominee).
With good friend Mary Nethery, Kirby has written the award-winning Two Bobbies: A True Story of Hurricane Katrina, Friendship and Survival (illustrated by Jean Cassels) and the New York Times bestseller, Nubs: The True Story of a Mutt, a Marine and a Miracle.
Writing by chasing publishing trends is a fool’s errand. Narratives about apocalyptic survival and vampires can be hot one day and over by the time you finish writing your book. In this class we will discuss the types of universal stories readers and publishers truly want, and how your unique voice and life experience can inform a story that speaks to readers today, and still holds universal themes and timeless truth.
Jennifer Longo is a novelist with Random House Books. Her first two YA novels, Six Feet Over it and Up To This Pointe were both finalists for the Washington State Book Award. Her third novel, What I Carry, received a starred review from Kirkus and publishes January 21, 2020. Jen holds a B.A. in Acting from San Francisco State University and an M.F.A. in Playwriting from Humboldt State University, and lives in the PNW with her husband and daughter. Join Jen for updated book tour dates, blog posts, and other antics at www.jenlongo.com
Billy Simms is an award winning artist and educator. He holds a BA from the University of Maryland Baltimore County in theatrical scenic and lighting design, an MS from The Johns Hopkins University in special education, and an MFA in studio art from Miami University. He lives in Hamilton, OH with his wife and four cats.
Tuition assistance is available. Click here to apply.
So you want to write a novel? Or you’ve written 40,000 words of a novel, and suddenly find yourself stuck. Or your stories are interesting but lack a real plot.
Michele Bacon is here to help. Over the course of two Saturdays, she’ll put you to work on developing a compelling protagonist, raising the stakes, and plotting your manuscript. Come with a full story idea or with only a desire to write a novel. You’ll leave with clear direction and a plot waiting to become a manuscript.
The two sessions will include brief lectures, hands-on workshops, one-on-one discussion with Michele, and some partner work with other students.
Please feel free to bring a lunch. BARN has a refrigerator to store your lunch in.
Michele Bacon is the author of contemporary young adult novels Antipodes and Life Before. Her work focuses on families, friends, and the complicated relationships therein. When she’s not writing, Michele loves skiing, playing tabletop games, traveling, and dreaming of travel. She’s visited all 50 states and dozens of countries, always eager to hear people’s stories and immerse herself in other cultures. Wherever she goes, Michele enjoys helping writers find their voices and tell their stories. And she loves coming home to Seattle, where she lives with her partner and three young children.