For a calendar view of just Open Studios, please click here.
Building or repairing a violin is a challenging project, and not one that can be completed in a few class sessions. So this class is structured to let you work at your own pace with a minimum of stress. The class fee covers three hours a week of instructor time for 12 weeks — approximately three months. You can also work independently between sessions. If your instrument is not completed after three months, you can sign up for another 12 weeks (or more). It's likely that 12 weeks will not be enough to build a new violin, especially if you don't already have hand woodworking experience or if you can't devote much time to work on it between sessions.
The instructor will focus instruction on what each student needs. If you're building a violin, you will start with a bundle of wood and go through all the steps, from shaping the parts to assembling them, applying finish, and setting up your instrument so it's ready to play. If you're repairing a violin, the steps will depend on what is needed.
This class is open to beginning woodworkers and students who do not play the violin or fiddle (the instruments are the same; it's the playing that differs). But experience with either or both crafts would be an asset.
Ages 14 and up are welcome.
View BARN’s current COVID-19 health and safety protocols.
BARN is committed to accessibility. Tuition assistance is available. Fill out the application before registering.
For those who might need physical assistance, learn more about our Companion Program.
Explore stitches and needlework with other embroiderers!
A different set of stitches or needlework techniques are the focus each month as we explore how to do it and what we can create with it.
In January, for example, we explored some of the many aspects of buttonhole stitch, and decided where to go from there based on the interest and experience of the group.
Fiber Studio volunteers lead the group.
Join other weavers to explore traditional tapestry designs.
Thanks to our BARN woodworking friends, a set of Navajo-style looms that also can be adapted to Salish-style weaving are now available.
Learn to warp the looms, explore fiber choice, and pattern. You can use one of our new looms or any loom setup for tapestry-style weaving.
We decide on our learning journey as a group. Please register for this event.
Terry Winer and Catherine Camp lead this group, as fellow explorers of these techniques, and who hope to be accomplished tapestry weavers some day.
Learn how to make a hammer from aluminum and brass as you learn basic metal machining techniques.
Machining operations covered in the class include basic metal turning, external thread cutting, knurling, chamfering, cutting off, milling a flat on a round work piece, drilling, and tapping threads.
The hammer - yours to keep - has a brass head and is useful as a "positioning" hammer. If you want a hammer head other than brass that's 1¼ inches in diameter, bring the material to the class.
Before the class, students should view the following four YouTube videos by "That Lazy Machinist" on how to make this type of hammer:
Part 1Part 2Part 3Part 4
Please click here for BARN's current COVID-19 health & safety protocols.
BARN is committed to accessibility. Tuition Assistance is available - click here to fill out the simple application before registering for a class. For those who might need physical assistance, please learn about BARN's Companion Program here.
Bob Mathisrud - Bob’s long work history of facilities operations has provided him with a wide range of experience in the skilled trades. He helps at BARN in many ways, including by volunteering as a safety monitor in several studios.
Calling All Open Weavers:
Basket makers of all levels and backgrounds are welcome! Bring your current projects, completed works, or just your curiosity. Weavers share techniques, design ideas, materials information; ask and answer questions, and problem solve.
To receive email reminders of this event, please register. Drop in are welcome.
We meet the third Tuesday of each month, from 10 am to 2 pm in the Fiber Arts Studio. Email Cyndy Holtz with questions: cyndy.holtz@gmail.com.
Details
Free for BARN Members and a suggested $10 donation for non-members.
Registration is not required.
If you have questions, please contact Fiber Studio lead at fiber.lead@bainbridgebarn.org
Join Fiber Arts Studio Lead Dale Walker for virtual open studios focused on slow stitching.
This is an ongoing, virtual open studio rather than a class. Drop in via Zoom Tuesday afternoons to see what others or doing, show them your work, or just say "Hi" and let us know how you're doing!
Basically, we’re considering slow stitch anything you do with yarn or thread by hand. This includes knitting, crochet, embroidery, needlepoint, mending, tatting, and other handwork.
Bring your handwork projects and stitch with your BARN friends.
This ongoing gathering - not a class - is all about slow stitch, which is basically anything you do with yarn or thread, by hand. This includes knitting, crochet, embroidery, needlepoint, mending, tatting, and other handwork.
Free to members, guests pay a $10 drop-in fee.
Registration is not required, and drop-ins are welcome, but please register to receive reminder notices.
Dale Walker hosts these Better Together sessions. She is the Fiber Arts Studio lead, and enjoys weaving, knitting, embroidery, sewing, dyeing, and surface design.
Spend the afternoon weaving at BARN.
Do you like to weave on a rigid heddle loom?
Crazy about frame loom weaving?
In love with weaving on floor looms?
Does weaving tapestry pieces make your heart flutter?
If your answer to one or more of these questions is yes, then drop on by and come hang out with your fellow weavers every Wednesday from 1:00 to 4:00 PM. This is also a time we schedule labs or study groups.
If you would like a reminder before each session, you can register. Drop-ins are welcome.
Free to members, guests $10.00 drop in fee.
Write Now is a weekly time to write in the company of others. Using Zoom to come together, we write for 25 minutes, take a break, repeat.
There is no sharing or critique of your writing, only fast-paced, supportive productivity in the company of other writers. It is fun, exciting, and might be the thing to help you finish (or start...) your manuscript. These virtual sessions help participants set aside time to write and be with other writers in an informal setting.
The sessions are led by a rotating team of hosts including Jen Scheiderman, Amelia Ramsey, Kassia Sing, Genevieve Douglass, and Steve Bice.
Additional sessions available on Tuesdays, 9:30-11:30 am.
You can register at any time, even if a session has passed.
A Zoom link will be sent one day prior to each session to the email you registered with. Please watch for this email. Signing up does not mean you have to commit to all the sessions.
Studio Lead: Jessica Dubey Writers.Lead@bainbridgebarn.org
Time to grab your knitting and head to BARN!
Join knitting enthusiast Betsy Hagestedt, share your projects, and plan your next one. Explore new ideas, finish projects, and see what fellow knitters are making. This is a great time to immerse yourself in fiber and friendship!
Please register so you can get reminders of the next Knitting Circle.
Skill level: All levels
Free to members, $10 drop-in fee for guests.
Betsy Hagestedt hosts these Knitting Circles. She Betsy has been working with fiber since she was in elementary school, having learned to sew and knit from her mom. As an anthropologist, she uses her fiber practice as a means of connecting with people from other cultures, embracing the universal nature of fiber arts. Knitting gradually became her specialization due to its portability as she began to travel around the world. You can see some of her fiber experiments on her Instagram feed at behestknits.
This two-session class will introduce you to the art of stone cutting.
About this Class
Learn how to cut and polish cabochons from rough, using various cutting and polishing equipment in the process.
Students are welcome to bring any stones of their own that they have questions about or want to try cutting. All base materials will be provided.
Completion of this introductory class gains you access to open studio time to use the lapidary equipment. This class also is the prerequisite for all intermediate lapidary classes.
Karin Luvaas is a Bainbridge Island artist and jeweler with an art degree in encaustics, painting, and metal sculpture. She has studied under acclaimed jewelry masters Michael Boyd, Kent Raible, Petra Class, and Sarah Graham and achieved Graduate Jeweler status under Alan Revere of the world-renowned Revere Academy of San Francisco. Karin also is a GIA Graduate Gemologist and holds a Jewelers of America Bench Jeweler Technician certificate. Her current work can be viewed at karinluvaas.com.
Contact: Jewelry.Lead@BainbridgeBARN.org
Let's help one another get a better fit with sewn garments!
Fitting garments for yourself is tough. It’s hard to make adjustments while you’re wearing the garment, and once you manage to figure out the adjustments you need to make, how do you translate that to your pattern? And by the way, what does “good fit” even look like?
While BARN looks for a fitting teacher, let's try helping each other. This group is guided by the folks who come. Bring patterns, garments, and projects-in-process that have you wondering about fit, and we’ll pool our collective knowledge to answer our questions to find the right fit.
Please sign up each month so we know you’re coming!
Get started in woodturning by learning safety, tool control, and how to create basic shapes for spindle and bowl turning.
A small project will be started and completed as time permits.
In Session 1, you will learn about woodturning safety, bevel contact, and gouge technique focusing on good body mechanics - all important to building a foundation to launch your turning skills. You will use the roughing gouge during most of the class, followed by an introduction to the regular (“fingernail”) spindle gouge. Tools you will use include a spindle roughing gouge and fingernail spindle gouge.
In Session 2, you will review the earlier lesson, and then focus on the spindle gouge and parting tool, learning new mechanics for turning beads and coves. Toward the end of class, you will learn how a scroll chuck and tenon work in preparation for Session 3.
In Session 3, you will increase the precision of your turning technique by making a small project such as a honey dipper, finial, spinning top, or goblet, with your own design elements. You will use a scroll chuck, a Jacobs chuck and Forstner bit.
Completing this class clears you to use the wood lathes for spindle turning during open studio. While you also will be eligible to take a bowl-turning class, it is strongly suggested you spend time turning in open studio a few times before you enroll in a bowl class.
Wear safety glasses and closed-toe shoes, tie back long hair, and avoid loose-fitting clothing and jewelry. We recommend bringing your own safety glasses.
You must first complete Orientation to the Woodshop. Multiple sessions of this free, one-hour class are listed on the Woodworking Calendar. Log in to your BARN account and click on "My event registrations" to ensure you will have completed this class before Intro to Woodturning begins.
Class Policies
Jamie Straw has been turning wood for several years, working on both spindle and bowl projects, and has taught woodturning at BARN since July 2017. She also serves as coordinator of BARN’s woodturning classes. She is past vice president for education and training for the local chapter of the American Association of Woodturners. Her focus is on helping students build skills progressively as they design and create their woodturning projects.
Learn traditional inlay techniques to create modern, contemporary designs in this two-session introduction to the art of inlay.
Make a ring made of sterling silver and learn how to cut lapidary material for inlay. Choose from several ring shapes, discuss what goes into creating an inlay design, and learn setting and polishing techniques.
Your kit will include enough sterling silver to make two small rings or one larger ring. If you only finish one during class, enough material will be left to practice during future open studio sessions.
Day 1: Fabrication. Because you already know how to fabricate bezels and ring shanks, a quick/ lite version of a demo is offered. Then start your inlay - cutting and assembling.
Day 2: Continue inlay work and finish your new ring(s).
Karin Luvaas - This island artist and jeweler has an art degree in encaustics, painting, and metal sculpture. She has studied under acclaimed jewelry masters Michael Boyd, Kent Raible, Petra Class, and Sarah Graham and achieved Graduate Jeweler status under Alan Revere of the world-renowned Revere Academy of San Francisco. Karin is a GIA-certified Graduate Gemologist and holds a Jewelers of America Bench Jeweler Technician certificate.
Karin’s current work can be viewed at karinluvaas.com
Learn basic glass and kiln concepts, techniques, and tools while creating functional fused glass pieces to take home.
Learn safety basics, glass studio procedures, fused glass design concepts, and basic physics of heat and glass.
Day 1:
Day 2:
Day 3:
Each student will create a fused glass piece to take home in each session.
Materials needed will be provided.
None
Donna Rodger has been creating glass since 2017. Teaching introductory classes and mentoring is a natural extension of her career as a Critical Care Nurse Educator.
Taking complex concepts and tasks and breaking them down into easily understood pieces is her strength.
This introduction is required for members seeking fob access to, or press certification in, the Print & Book Studio.
This free orientation covers safety, policies, etiquette, supplies, clean up procedures, and an overview of equipment in the Print & Book Arts Studio.
At the end of this session, members can obtain fob access to the studio, allowing them to use the studio independently during BARN hours, whenever it's not in use by a class or another event.
This also is a prerequisite for gaining certification for the studio's etching presses and letterpress equipment, and explains the additional steps needed to get that certification.
Laura Dwelley-Samant
* This class has a prerequisite. See below.
Make a basic Tungsten Inert Gas (TIG) bead and progress to the techniques and practices needed for TIG welded joints.
The goal for this class is to feel comfortable operating the welding machine and with the TIG welding process in performing different welds.
From making a basic TIG bead to the techniques for TIG welded joints, the class focuses on how to perform different kinds of TIG welds – butt, lap, “T,” corner, and edge.
TIG welding requires more dexterity and practice than Metal Inert Gas (MIG) welding. Students are encouraged to use open studios to practice their technique and develop confidence.
This is the second class in the TIG welding series.
Patrick Clanton - Patrick is a professional welder with more than 30 years of experience. He participates in the artisan community on Bainbridge as a welder in support of other artists and as a sculptor in his own right.
Patrick Clanton Email: PHClanton@hotmail.com
Get to know our Baby Lock Solaris 2 Embroidery Machine working one-on-one with a studio volunteer.
Hoop and embroider a couple of the designs that are among the hundreds that come loaded on the machine in this two-hour tutorial.
Leave the session ready to explore more of the machine’s dazzling number of functions and knowing how to leave the machine clean and ready for the next embroiderer.
Check out our Embroidery Machine Skills series to build your repertoire on the Solaris 2.
Rotating Fiber Studio Volunteers
Learn about basic metal cutting, and the tools used for drilling, turning, milling, sawing, and grinding.
See basic demonstrations of the drill press, lathe, milling machine, cut off saw, bandsaw, and surface grinder. Throughout, safety issues will be emphasized for these powerful and potentially dangerous machines used in the Machine Shop.
Learn the basics of designing and building Euro-style cabinets, also known as frameless cabinets, as you build one!
Build a simple cabinet that includes the basic features found in base and upper cabinets in this intermediate-level class. We start with an overview of cabinet styles with an emphasis on Euro-style and a discussion about cabinet materials and useful tools.
You learn how to sketch a plan, make a cut list, and estimate materials, then go on to accurately and safely cut down a sheet of plywood and assemble the pieces into a sturdy, square cabinet box. You add the drawer and door and learn how to adjust the hinges so the door hangs properly. The class covers the basics of how to install cabinets, but that is not demonstrated.
At the end of this class, you'll be prepared to build simple cabinets with the dimensions you want during open studio sessions. If you have a complicated cabinet, extra help is available in our Coached Woodworking Open Studio sessions, which are listed on the Woodworking Calendar.
You must wear safety glasses and closed-toe shoes, tie back long hair, and avoid loose-fitting clothing and jewelry.
We recommend bringing your own safety glasses.
You will go home with an upper cabinet approximately 28" tall, 20" wide and 12" deep, with one drawer and one door.
A $100 materials fee included in the cost of the class covers all the plywood, hardware, and supplies you need.
You must have completed Orientation to the Woodshop and Woodshop Tool Safety Checkout 1 & 2. Multiple sessions are listed on the Woodworking Calendar.
Dave Whitacre and Roz Estime. Dave moved to Bainbridge in 2013 after he retired as a petroleum engineer in Alaska. Woodworking has been his hobby for the past 40-plus years. He's enjoyed designing and building traditional-styled furniture and hopes to broaden his skills and techniques now that he has more time to devote to the craft. Roz has been an active member in the BARN woodshop since 2018. He is an architectural planner specializing in hospitals and laboratory facilities design.
Explore bezel making for stones with angles, working in silver.
Fitting a bezel for a pear, rectangular, or otherwise angular shape can be intimidating, but it doesn’t have to be. With the provided stones and metal, you can learn how to form an angular bezel and solder it to a backing to make a ring or simple pendant. Once your piece is built and finished, we focus on how to set our stones.
Jody Lyle - A goldsmith with more than 25 years' experience designing and making jewelry, Jody graduated from the University of North Texas where she studied with Harlan Butt. She has continued her education through classes with masters, apprenticeships, trade school training, skill-building classes, and lots of bench time. She believes in learning by doing, listening to others’ experiences, and looking at how things are made around you. Her main focus right now is wax carving, fabrication, chasing, and repoussé. She works mostly with silver, gold, steel, rock, and semi-precious and precious stones to create fun and beautiful pieces to be worn and enjoyed. Her work can be seen on Instagram @movingmetals and Flickr
Additional sessions available on Thursdays, 9:30-11:30 am.
Use a variety of power tools to make mortise and tenon joints - among the strongest ways to connect pieces of wood.
With this style of joinery, one piece has a "tongue" (the tenon) that fits into a recess (the mortise) in the mating piece. The joint design offers mechanical strength and helps keep parts aligned while they are being assembled and glued.
There are numerous ways to create these joints, including with hand tools, but this class focuses on machine methods. Gain an excellent understanding of the mortise and tenon joint with this class – how to design with it and various methods to create it. You get hands-on experience in cutting a mortise using the drill press and vertical mortiser and in cutting tenons on the table saw, bandsaw, and router table.
Open to students who have taken Orientation to the Woodshop and Woodshop Tool Safety Checkout 1. Multiple sessions are listed on the Woodworking Calendar.
Ted Newman studied woodworking and has assisted in classes at the Center for Furniture Craftsmanship in Rockport, Maine. He is active in BARN's woodworker group and volunteers as a safety monitor.
Join Kate McDill and Elisa Laverty to learn about ways to make easy sweet and savory treats using puff pastry.
Want to increase your wow factor at a potluck or when you host your book group, wine-tasting club or game night? This class will give you beautiful, tasty, and easy sweet and savory options for using frozen puff pastry. The result will take one quarter the time and be just as flavorful.
We will make a couple of appetizers, such as samosa, and chutney cheese palmiers, a couple of main dishes like pissaladière, and a tart of grilled vegetables with bacon and bleu cheese, and finish up with a dessert of fig and orange tart. Bring your appetite and curiosity! We will sit down together to share our feast with a glass of wine.
Registration closes March 26.
Kate McDill learned to bake at the Surrogate Hostess on Capitol Hill in Seattle. The training included both traditional French pastry and breads, and American comfort goodies. Baking is her craft, and she is happy to share her knowledge and pass on the art of creating tasty treats.
Elisa Laverty, originally from the Olympic Peninsula, has been a Bainbridge Island resident for nine years. Her experience with baking and cooking started at a young age, being the oldest in a large family. Her professional experience in the food service industry has spanned the past decade and continues to be something she is passionate about. A few of the places she has worked on the island includes, Bainbridge Bakers, Sweet Dahlia bakery, Blackbird Bakery, and Good Egg. She is the mother of a son, 6, who just started kindergarten; and a daughter, 6 months. She's excited to participate at BARN and hopes to lead some classes of her own!
This is an opportunity to work with the industry-standard Smith® Little Torch and propane/oxygen torch during this two-day evening class.
Sarah Jones - This Bainbridge Island artist and teacher has experience in fine metal arts, jewelry, ceramics, sculpture, stained glass, and photography. She is a BARN founding member and Jewelry Studio programming and steering committee member.
Because Sarah is a visual and tactile learner herself, her classes typically involve a lot of hands-on learning and printed information and resources for her students to refer to when practicing their new skills.
Sarah’s art has been displayed in the Seattle Metals Guild and Bainbridge Arts & Craft exhibitions. Her work is sold at Bainbridge Island Museum of Art. To view her recent work, visit at: www.foggyroaddesigns.com.
This introduction to our Woodworking & Small Boatbuilding Studio is required for anyone who wants to work in the studio.
This free orientation covers policies and etiquette in a community workshop, safety, and the studio’s leadership structure.
The Open Studio experience is discussed as well as what the studio contributes to support members’ learning and project work.
Learning opportunities to help the studio run smoothly are provided. Volunteer jobs range from serving as safety monitors, assisting on community service projects, and helping on Monday Maintenance.
If you are new to woodworking, a basic series of classes is explained to help you begin your woodworking experience while using natural and sustainable materials to create with your hands.
You will learn how our studio works and fulfill the orientation prerequisite for further use of the studio and classes.
Any materials used will be provided.
Jeff Williams
If you have beginning skills in Fusion 360 software, this class will introduce you to this design program’s CAM (computer-assisted machining) functions.
At the second session in the Woodshop, you will use the CAM functions to develop tool paths for the router, output G code to run the router, and use the Laguna CNC to cut out and embellish your wooden box.
You will create a box made of maple and walnut. With the lid, it measures 5 1/4" long, 4" wide, and up to 3" high. At the end of class, it will be ready for sanding and finishing.
Bring a laptop with a mouse and a working copy of Fusion 360 already installed.
Doug Salot has adopted Fusion 360 as a lifestyle. He has used it to design signs, cabinets, and replacement parts for various broken things. You'll often find him in ETA using the laser cutter or in the woodshop carving things on BARN's CNC router.
Learn how to use hand tools skillfully in this four-session component of BARN's Beginning Woodworking series.
Once you've taken Orientation to the Woodshop, join us to build a two-compartment tote, handy for storing or carrying silverware, garden tools, or other items. The project was specifically designed to give you experience with the most common hand tools.
You will learn to use:
All students must wear a mask to this class.
Orientation to the Woodshop (multiple sessions are listed on the Woodworking Calendar)
Tom Leurquin has been a BARN member since its opening and specializes in projects involving hand tools. After taking several hand tool courses at BARN and the Port Townsend School of Woodworking, he fell in love with the intimacy and meditative aspects of working wood by hand. His civil engineering background has helped him achieve a critical eye for detail and precision that enriches the art of hand tool woodworking.
Learn how to use the C&P tabletop press and set wood type and ornaments as we make a run of Thank You cards.
You will use wood type, ornaments, and/or cuts to create your design. We'll then go over locking the type securely in a chase and learn how to load it into the press. After printing, you'll trim and score your prints to letter size. Envelopes will be included and we will be trading prints, so you will go home with an assortment of your, and your classmates' work.
Explore texture as you appliqué and embroider your own "owl" on wool. Recommended for Sue Spargo fans!
Discover the depth and texture you can create through stitching as you create your own unique owl. Choose a basic color scheme to work with as you appliqué and layer pieces to build dimension. Then learn embroidery stitches to create texture.
You will learn six key embroidery stitches to bring your owl to life - bullion, chain, fly stitch, French knot, stem, and twisted fly stitch. Students are encouraged to create their own stitch designs.
Create a 6 1/2" x 4" embroidered and embellished owl appliqué. You’ll use a variety of stitches taught during the class.
The kit includes:
Nathalee Lowrie’s passion for textiles began as a child, learning textile arts from both of her grandmothers. Using a needle and thread fueled an instant love affair with color, the suppleness of fabric, and the movement of a needle. She graduated with a bachelor's in education/art specialization degree from North Texas University. Nathalie also trained at Madeline Island School of the Arts, studying under Sue Spargo and Katie Pasquini Masopust. Her pieces have been accepted into several juried shows and galleries, and her larger pieces can be viewed in the gallery section at https://colorthreadtexture.com/Gallery