Learn how to create direct and expressive images with this versatile form of printmaking. Apply ink on Plexiglass plates using brushes, rollers and rags, and then run the plate through an etching press to make one-of-a-kind images. Begin to master the technical aspects of monotype as you discover and explore what fascinates you. We will cover a wide range of monotype techniques designed to kick start your creativity and develop your skills as a printmaker.
Wendy Orville is an artist and educator who was born in New York and grew up in New Haven, Connecticut. She received a BA in Fine Arts from Yale University and an MFA in painting from American University. Wendy’s monotypes have been exhibited at the Tacoma Art Museum, the Museum of Northwest Art, the Bellevue Art Museum, and the Bainbridge Island Museum of Art. Her monotypes are featured in the book Singular & Serial: Contemporary Monotype and Monoprint. Wendy has taught at Pratt Fine Arts, The Henry Art Gallery, University of Indiana, and numerous other venues. She is represented by Davidson Galleries, Seattle, Washington. “I was trained as a painter but I’m largely self-taught as a printmaker. I fell in love with the monotype process when I lived in Taos, New Mexico. Something happened when I started making monotypes that opened up a different part of me. I felt genuinely free to experiment and fail, trusting myself to follow the process anywhere it led.”
Read an article about Wendy in the Bainbridge Currents.
Visit Wendy's website here: wendyorville.com
Every Sunday between 1pm and 3pm you can take a free guided tour of BARN. Visit all 10 studios, and find out what you can create at BARN.
We’ll answer all your questions and show you examples of what other makers have made in BARN's fully-equipped workspaces. Tours are free, no need to register. See you on Sunday!
It’s easy enough to send out to have polymer plates made, but wouldn’t you like the control (and economy) of making your own? Learn the process in this one-day workshop. Carl Youngmann and Ellie Mathews, letterpress printers, will demonstrate do-it-yourself, U-V exposure, water-wash methods for producing raised images using BARN’s materials and updated equipment.
We’ll start by discussing high-contrast images—whether from photographs, digital files, or scanned drawings. We’ll then select an example and make an inkjet negative. We'll use the negative to expose the polymer to UV light, and we’ll process it in ordinary tap water. Then we’ll print proof copies. Specific products, timing, and details will be outlined.
You are invited to bring one or more high-contrast (black and white—no grays) images for your own use. Instructors will also provide a selection of sample images.
There is no prerequisite for this workshop. Everyone is welcome.
Ellie Mathews began using photopolymer plates forty years ago to make Braille signage. More recently, Carl Youngmann has figured out the intricacies of printing ink-jet negatives, exposure times, and washout temperatures to make his own plates at home, sometimes by using nothing more complicated than the sun as his light source. Together, they will guide you through the basics and share their enthusiasm for DIY methods.
This is a BARN holiday. Doors will be locked to members and non-members.
Shellac Plate printmaking is a low-tech and versatile technique for creating etching-like intaglio prints as well as subtly textured collographs. Through demos and lots of hands-on work we will create and print plates using shellac on an illustration board matrix. Students will be encouraged to experiment with the wide range of effects that can be achieved with shellac plates to express their own visual ideas and aesthetic.
Some printmaking experience is useful but is not necessary.
Dawn Endean has been making art for over 40 years and works primarily in the disciplines of printmaking and painting. She has exhibited extensively in the Seattle area including at Davidson Galleries; Shift Gallery; the Jacob Lawrence Gallery; the Columbia City Gallery; the Schack Art Center in Edmonds; The Island Gallery on Bainbridge Island; The Northwind Arts Center in Port Townsend and Mighty Tieton in Tieton, Washington. Her work has also been shown at the Bellevue Arts Museum in Bellevue, WA; the Cascadia Art Museum in Edmonds, WA; the Turner Print Museum in Sacramento, CA; and Gallery 25 in Fresno, CA. She has studied printmaking at Northern Illinois University, Pratt Fine Arts Center in Seattle and in San Miguel de Allende and Oaxaca Mexico. Endean has taught Printmaking at the Pratt Fine Arts Center in Seattle, The BARN on Bainbridge Island and at FEAST Art Center in Tacoma. She is represented by Columbia City Gallery in Seattle, WA, (www.columbiacitygallery.com) and by 1+1=1 Gallery in Helena, MT (https://1plus1is1.com)
Registration on this page is for the workshop being held at BARN. The simultaneous online Zoom version can be found here.
Nothing is as important to a professional artist's or designer's career as a carefully created portfolio. Yet very few people have one that they're proud to show. Something always seems to get in the way of sitting down and figuring out just how you want to define your work, what you want to focus on, and whom you want to attract with a curated group of pieces you've made. Whether you're blowing the dust off your old portfolio, or creating a new one from scratch, this class takes you through the process of creating a strong portfolio step-by-step, identifying concrete objectives, finding holes that need to be filled, and providing encouragement and review along the way.
High schoolers applying to college, people applying to grad school, recent grads about to start the job search, people applying for a job in a design field or in academia, or artists who want to get their work into viewable order either physically or online--all need up-to-date portfolios-- and all are welcome.
Please click here for BARN's current COVID-19 health & safety protocols.
BARN is committed to accessibility. Tuition Assistance is available - click here to fill out the simple application before registering for a class. For those who might need physical assistance, please learn about BARN's Companion Program here.
Instructor Bio - Natalia Ilyin:
Professor of Design, Design History, and Criticism at Cornish College of the Arts in Seattle, Natalia also teaches studio classes in brand and identity design, design for social activism, and transition design. Natalia is also Founding Faculty at Vermont College of Fine Arts, advising design grad students on critical and contextual studies. She has taught at Rhode Island School of Design, Yale University, The Cooper Union, and the University of Washington, and has acted as Critic for the MFA in Graphic Design at Yale University and Rhode Island School of Design.
A former National Director of Programs for the AIGA in New York, she has given talks and workshops at Microsoft, Boeing, Rhode Island School of Design, Maine College of Art, California College of Art, Art Center College of Design's Toyota lecture series, the Wolfsonian Museum, The Henry Art Gallery, and many other very nice places. She has published four books on design criticism and many articles in a wide variety of publications. She worries that people often don't present their work in ways that will support their visions for themselves.
BARN is committed to accessibility. Tuition Assistance is available - click here to fill out the simple application before registering for a class.
* This class has prerequisites. Please see below.
If you have a work of art that you’ve been wanting to frame, this class is for you. At the first session, in the Woodworking Studio, you will learn to design, cut and assemble a frame 11 by 14 inches. At the second session, in the Woodworking Studio, professional framers will show you how to properly mat a picture to fit that frame, and how to put all the pieces together in expert fashion.
Bring a picture or drawing you want to frame. It can be any size that will fit in an 11x14 frame. (Small pictures look great in a big mat and frame!) The goal of this class is to enable you to return to the BARN Woodworking and Print & Book Studios to frame additional artwork.
Do you dream of earning money as an artist? Make that dream a reality by learning how to market your artwork to reach a bigger audience! No matter what your medium is, you can use tips and tricks from the marketing trade to make your art shine on a bigger stage. From jewelry-makers to woodworkers, illustrators and digital artists, textile crafters, and mixed media creators, you can sell your craft by getting in front of the right people — with the right price and the right message!
In this four-session class, you’ll learn:
Note: This class is tailored to students 12-18 who have an established art or craft they feel confident about. Participants should bring their own tablet or smartphone and will be required to download a subscription-based design software called Canva (which has a limited free version available). Participants will also be asked to use existing social media and email accounts to promote their materials, though this is optional if they don’t have them or don’t want to use them for promotional purposes. Finally, they will also be creating an Etsy account, which will require a credit card in order to go live (this is part of their class homework).
Carrie Bancroft is a magical marketer, event creator, mother of an aspiring artist, and writer. When she's not running creativity workshops and insanely awesome events, she can be found helping others live the life of their dreams, exploring tidal pools with her son, hanging out with horses and cats, or adventuring in the wilds of the Olympic Peninsula.
Park: At BARN, or the adjacent Christmas tree lot. Parking also available at the First Baptist Church on North Madison, with a free Sweet Deal Mobile shuttle.
This is a BARN holiday. Doors will be locked to the public, members, and non-members.